Source: hungarianconservative.com

After the successful global release at the Palm Springs International Film Festival in California, the screening of Ádám Breier’s new movie, All About the Levkoviches was also a sell-out in New York. The ‘dramedy’ will also be screened at the Miami Jewish Film Festival before being launched in cinemas across Hungary on 22 February. At the screening at Lincoln Center’s iconic Walter Reade Theater as part of the New York Jewish Film Festival, the director was accompanied by co-screenwriter Bálint Csaba, producer Andrea Ausztrics and one of the lead actors, Tamás Szabó Kimmel, who also took part in a short public discussion afterwards.

Tickets were already sold out days before the screening in New York, and there was a long line of people at the box office an hour before the movie went on the silver screen, hoping to get in in the last minute.

Since I arrived half an hour early, I had time to chat with the couple sitting next to me. The wife, with a Polish-Russian Jewish heritage, has been attending this two-week mega-film festival for 30 years, and her Colombian-born husband has been accompanying her for the past 24 years (since the time they met), supporting his wife in preserving her Jewish culture this way, too. The talkative man took the opportunity to ask the Hungarian journalist sitting next to him (i.e. me) about not only her life in the US, but also the situation of Jews living in Hungary, especially in light of the current war in Gaza. I was happy to tell him that, regardless of the war, one of the largest Jewish communities in Europe can practice its faith and live its culture undisturbed. I also mentioned to him that the synagogue complex of the Dohány Street Synagogue in Budapest, built in the 1850s, is the largest synagogue in Europe and the second largest in the world. So the movie, which was shown in Hungarian and Hebrew with English subtitles, had not even started, but I could already (or rather again) feel like a ‘cultural ambassador’ of Hungary and, after seeing the movie Semmelweis in the fall, once again be proud that so many people overseas were curious about a Hungarian cinema.

I did not know much about the movie before the screening, beyond the official press releases. The plot follows big-hearted but stubborn boxing coach Tamás Lefkovics (Zoltán Bezerédi) in Budapest and his son, Iván (Tamás Szabó Kimmel) who fled to Israel at some unspecified point in the past to escape from the permanent conflict with his father. He has started a family there as an Orthodox Jew, keeping in touch only with his mother (Ágnes Máhr) and he has not spoken to his father for years. When his mother dies unexpectedly, he returns to Budapest with his six-year-old son Ariel (Leo Gagel) for the shiva (a week of mourning in the family home) in accordance with Jewish traditions. However, his father does not observe Jewish traditions at all; thus the conflict is inevitable, as two worlds are pitted against each other through the two men, with the family’s future at stake.

I was curious to see what the first-time director brought out of this  intricate plot, and not only was I not disappointed, but I felt very proud being part of the audience, who reacted with laughter and tears, and was delighted to receive congratulations afterwards from the couple sitting next to me, and then passing them on to the director and the main actor. The couple next to me even declared that they had seen lots of good movies at the New York Jewish Film Festival over the past thirty years including this year, but this one was outstanding. The moderator leading the post-screening discussion also spoke only in superlatives about the movie, so one thing is for sure: after California, it was a hit with the audience in New York, too, and will most probably be in Miami and, I am quite sure, it will be a success also in Hungary.

Why is that? When we hear that this is the first movie for both the director and the co-screenwriter, we try not to set the bar too high, but —as the lead actor told the director upon watching the first cut for the first time—it does not feel like a first for either of them. As Ádám Breier revealed at the post-screening public discussion, he had an explicit ambition to make a movie about Jews living in Hungary, but for a long time he could not find the right story until he turned to his own family’s stories. Bálint Csaba, who was asked to co-screenwrite, did the same, adding some of his own Jewish family experience. But Jewish background was not a factor in the adult actors’ casting, and Tamás Szabó Kimmel, in response to a question, revealed that he is not of Jewish origin. Forming his character was a pure acting achievement on his part; which also had a physical aspect, beyond the beard: before the shooting he was asked to stop exercising, eat and drink a lot more to look ’authentic’ for the role. However, the third main character, the six-year-old boy, came from the local Hungarian Jewish community. The director revealed that after it became clear that the budget of the movie based on funding from the Hungarian Film Institute’s Incubator Programme (and some Hungarian Jewish community support) would not allow for the casting of a child actor from Israel, he approached Jewish communities in Hungary looking for a boy who could speak both Hebrew and Hungarian—that is how he found Leo. As he explained, even the experienced adult actors needed some rehearsal—unlike the boy, surprisingly, except for those ghostly scenes he did not understand at first.

In any case, these difficulties cannot be sensed in the movie, where, in addition to the two male protagonists, who are extremely talented and very convincing (also with their facial expressions in close-up camera shots), the little boy is also excellent throughout, not only with his bilingualism, but also with his equally talkative facial features. The result is a touching, humorous and charming family movie where we have the opportunity to look at serious, multi-layered family conflicts, the mourning process experienced in different ways by the actors and several Orthodox Jewish customs (especially but not only those related to mourning), with equal weight from both (father-son, non-Orthodox-Orthodox) perspectives. One can sympathize with both sides and therefore cheer them wholeheartedly to finally address the grievances that have accumulated over the years and were unaddressed until this point. These take place sometimes in the form of yelling angrily at each other, and sometimes through tense or even peaceful discussions. After a week of mourning (and an unexpected visit at a children’s hospital), there is finally reconciliation—so that life can go on with its usual everyday, but no longer insulting, arguments. Two generations and two cultures collide, painfully yet humorously, and with the conviction—perhaps naive to many, but very much welcomed by me—that the time spent together and the discussions, in spite of all the pain caused, can heal (almost) all the wounds we have inflicted on each other in the past.

The action takes place in our time, yet we have the feeling that we are seeing late-Communist Hungary. The main setting is a suburban, crumbling-walled, ‘70s-’80s-style apartment block and its shabby courtyard. For a moment, the Geodézia Zrt.’s building at Bosnyák Square appears, we see the tram of the Grand Boulevard and the building of a hospital (probably Heim Pál Childrens’ Hospital) and its garishly coloured plastic-chair corridor. Strangely enough, the celebration of the Sabbath (which the grandfather eventually attends and he even wears a kippah—as he mockingly calls it: a swimming cap) is taking place in a location that is unfamiliar to me; while the synagogue building on Dohány Street, which is recognizable from the outside, is not visible at all—at least I do not remember seeing it in the movie. Similarly, none of the iconic buildings of Budapest can be seen. Obviously, the shabby locations in the suburbs have been deliberately chosen, but I could not find out for what purpose; and as there was no opportunity for questions from the audience, I could not ask. Although it was a positive and nostalgic experience for me to see these scenes, I also wondered what kind of Budapest (and thus of Hungary) the audience will get to know through this movie.

Although I have not seen the other characters mentioned in the available press releases, I would like to highlight them as well: the boxing ‘apprentice’ Ferike (I have not been able to detect the young and talented actor’s name yet), who comes from a disadvantaged background and is seen by the grandfather as his adopted son, and who has the role of bringing the old man and his son closer to each other with his simply formulated questions, asked out of sincere concern. The grandfather’s friend Zsiga (András Török), the son’s Orthodox Jewish wife (I could not track her name either) and the rabbi (András Kardos) have the same tasks in the plot. The latter even allows himself to address a joke to the mourning grandfather who escapes to the toilet during the funeral reception.

The movie was supported by the Hungarian Film Institute’s Incubator Programme, co-produced by ULab and Proton Cinema, with the contribution of Zoltán Dévényi as director of photography, produced by Miklós Kázmér, Ádám Felszeghy and Andrea Ausztrics, and executive produced by Claudia Sümeghy. Andrea Ausztrics explained to the audience in New York how movies are being made and financed in Hungary and what their plans with this movie are: after the three American festivals (the next screenings are in Miami on 22 and 24 January), they plan to screen it throughout the US, and after the Hungarian premiere on 22 February, they also plan to have it introduced at several movie festivals across Europe.

More information about the Miami screenings can be found HERE and the trailer is accessible HERE.

Ildikó Antal-Ferencz 

Source: hungarianconservative.com

Reklám

This is an abridged version of the original interview first published on reformatus.hu.

Györgyi Papp and her husband, László Bőjtös, fled from Hungary to the United States on December 1, 1956, with the intention of returning soon. When history prevented their return, they alleviated their homesickness by serving the Hungarian community and cultivating the Hungarian intellectual and spiritual heritage in the diaspora. Since her husband’s death in 2021, Györgyi is less active in the Hungarian community, but her heart, soul and beautiful house are still open for all noble Hungarian causes.

***

You like to quote Hungarian poets and writers. Where does the enthusiasm for Hungarian literature and poetry come from?

I started secondary school in Pápa, Hungary, where I had a fantastic teacher of Hungarian language and literature. He always talked about something other than what was in the curriculum or what he was allowed to cover—since at that time we were already living the years of the emerging Communist dictatorship. He promised us: if we answered correctly, he would give us a book that was banned by that time, such as the famous The Tragedy of Man by Imre Madách.

Who else had a similar influence on you as a child?

We lived in Pozsony (Bratislava, at that time a town in Czechoslovakia; today the capital of Slovakia) as part of the local Hungarian minority until I was 13. My grandfather was very religious. He was a pillar of the local Reformed church. They had a mill, a huge plant with two hundred employees supplying the whole country. We lived in Cseklés, a village 15 kilometers from Pozsony and every month he asked a deaconess to visit us for a week to hold a daily Bible study for the whole family. It was mandatory to participate. When I was six or seven years old, I was already given an assignment: I had to read passages from the Bible, and then tell them the next day what those passages meant to me. We went to church every Sunday. I owe my deep faith to him, a great blessing from him that accompanied me throughout my life. And I had very good parents. My father, no matter how busy he was, played board games with me every night. My mother brought beautiful story books and piano pieces. They hired a Hungarian teacher who taught my cousin and me at home, and twice a week they took us to the only Hungarian school in Pozsony, where we were tested. I had a beautiful childhood, despite the fact that history interrupted my life at an early age. In 1938 we learned that our village was being returned to Hungary, while Pozsony remained part of Czechoslovakia. My talented aunt, who studied dress design in Vienna, sewed the Hungarian flag with a coat of arms out of silk and pinned it to the mill. She also made beautiful Hungarian clothes for my cousin and me, in which we welcomed the Hungarian soldiers with a bouquet of flowers and songs as they were marching in. Unfortunately, in the end, we remained part of Czechoslovakia (and shortly afterwards Slovakia). János Esterházy, the famous Hungarian aristocrat and politician, also lived there and tried to support the Hungarian cause through his connections, but he failed.

Another great source of inspiration was your husband, whom you often quote. How did you meet?

When the war ended and the population exchange agreement entered into force, my parents were told that our property would be confiscated, and they’d be sent to a labor camp. Our family lawyer found out that there was a water mill in Mihályi, Hungary, owned by a Slovak citizen and suggested that we try to swap the two properties. My mother was born and raised in America, because my maternal grandparents emigrated after World War I. After my grandmother’s death, my grandfather returned to Czechoslovakia, leaving behind two twenty-year-old sons and my teenage mother, and remarried. When my mother turned 19, her father invited her to live with him; that’s when she met my very handsome father, and they got married. My mother lived in Czechoslovakia, but she didn’t lose her American citizenship, and I also inherited the U.S. citizenship. My father suggested that we (my mother, my sister and I) should go to the U.S. to visit my two uncles, who were living in Cleveland, Ohio at the time, and if the mill exchange succeeded, we should return to Hungary, if not, he’d follow us.

We lived in America for a year; my sister and I went to school here. My father wrote to us in 1948 that he was living in Hungary, so we returned to him. I started attending the reformed college in Pápa, together with my cousin who was the same age as I. In January 1949, I attended a firemen’s charity ball, for which my aunt made my first ball gown. As soon as we entered the ballroom, a very tall young man approached us, and I danced with him for a long time. After that, he went back to Sopron where he studied, but I received a nicely worded letter from him. He was three years older than I. His father was a Lutheran deacon at Vadosfa, a nearby village. There was no Protestant church in our village (Mihályi), we belonged to theirs, our parents knew each other. Whenever he was at home, he always asked my parents if he could pay me a visit.

When did this summer romance become a marriage?

For a long time, life took us in different directions, but we were connected by many common interests and that certain little spark. I met him as a 14-year-old child, but I said yes to him as a 21-year-old adult. He was preparing to become a medical doctor, but he wasn’t accepted because of his father’s background, so he went to Tata to work at a construction site. After a year, he applied to the Faculty of Architecture in Budapest and managed to get in. Meanwhile, I attended the Kazinczy Ferenc Girls’ High School in Győr. Despite my love of literature, I majored in chemistry and physics. When I joined the Textile Research Institute in Budapest, we got in touch again, and by then it was obvious that we’d stay together. We got married on April 28, 1956.

My parents had already lost everything by then, Laci’s mother was widowed, so only the immediate family attended our wedding. We lived in a sublet apartment, yet we were happy. We went to the theater and opera a lot, and in the summer to Lake Balaton. Laci worked together with his best friend, Béla Szittya, with whose wife I made a lifelong friendship. Laci kept in touch with Béla while in America; I treasure their literary correspondence with great affection.

How did you escape to America?

On October 23, 1956, Laci went to the University of Technology, then marched with the students to the Bem statue. I had to stay at home, because I was waiting for the delivery of the coal supplies. Meanwhile, the demonstration turned into a revolution, and Laci came home in the evening with the news that there’s fighting at the radio building with dead bodies on the streets. It was awful. We didn’t participate in the organization of the revolution or the armed fight, but we went out to the major demonstrations and were shot at. We spent the following weeks in Győr and Vadosfa, but Laci occasionally went to his office in Budapest, where he was warned: if he didn’t escape, he would be in big trouble. We didn’t have any plans or goals in America, we fled with the intention of returning as soon as possible. We left on December 1. At night an acquaintance took us one by one on a motorcycle to a farmer whose land bordered Austria. The man led us across the border, checking potential landmines as he walked ahead with a long stick. The Russians and the border patrol were repeatedly firing light rockets, but the sound came first followed by the light, so we had time to lie on the ground and stay motionless for a while. At one point our guide told us that we were in Austria. We stood there in the cold night, homeless, insecure, aware that the freedom fight was crushed. The Austrian Red Cross took us to a school building, where many people were sleeping in a large room on rubber mattresses. One of Laci’s colleagues was already living in Austria, and he helped us contact the consulate to obtain the immigration permits. We succeeded in just a few months; the Lutheran World Federation became our sponsor. I know others waited much longer, but it also seemed very long…

We spent Christmas Eve in Austria. The Austrian ladies were kind: when we went to a grocery shop for two slices of meat, they paid for us. Still, Christmas Eve was very difficult, as we wandered the streets and saw many beautifully decorated windows, and we had nothing but our Bible, which we received from the Lutheran pastor István Szépfalusi, who was holding service for the refugees. I was reminded of Kányádi’s wonderful Christmas poem Behind God’s Back. Still, it was our truest Christmas. That’s when we felt the most what it meant. I’ll never forget how we sat on the straw beds in the empty Russian barracks, ready to leave and reading the Bible while waiting. No glitter, no gifts, just a message of peace, goodwill and love, and the joy of the Savior’s birth.

How did your life in America begin?

We arrived at Camp Kilmer Military Base in New York and stayed there for two weeks, after which we got a train ticket to Cleveland. We arrived in a dress and a coat, with all our possessions in a small cardboard box. My mother’s brothers were waiting for us, and they took us to the Lutheran church on Sunday, where I had to tell the church community what our professions were. An architect immediately approached Laci, took him to his business the next day, and in two days he had a job. He was hired as a draftsman because he first had to learn the different units of measurement and the language. I knew English better—my mother had taught me—, so after two months I was already working at a research institute. We didn’t think we would get jobs in our professions; we thought we were going to clean houses as many others did. The church rented an attic apartment for us. The landlady didn’t allow us to open the window, so every Sunday we went to the nearest cinema, whatever was playing, because it was cool there…

In the meantime, you started to make a lot of friends.

Yes, the 56ers were all equally poor; we were united. In the early ’60s our daughters Anita and Barbara were born; we bought a house in nearby Brecksville, and I worked at the research institute there. My mother was able to visit us several times, although it was difficult for her to leave my father at home. We returned to Hungary for the first time after our immigration in 1968. It was a wonderful feeling to set foot on Hungarian soil, and after that we went back often, even though we were being watched by the communist authorities. We were very homesick, missed our family, correspondence was so slow at the time… But moving home was out of the question until the regime change in 1989–90, when it was too late—we couldn’t start all over again. Laci felt that he could do more for the Hungarians from here than if he moved back. In 1990 József Antall became the prime minister of Hungary, and he visited the U.S. the next year. Four hundred people waited for him in Cleveland and Laci was selected to welcome him. Laci was appointed Honorary Consul of Hungary on March 18, 1993. This was the first appointment of its kind in the United States and he held it until his death, for nearly thirty years.

How did your house become a Hungarian intellectual center?

A group of intellectuals from Transylvania came for the first time in November 1971 including writers and poets, András Sütő, Sándor Kányádi, Árpád Farkas and several actors. Sándor Püski, the owner of a small bookstore in New York, sent them to us and we embraced them. They were welcomed by Laci and the poet Gyurka Gyékényesi. Afterwards, Laci also organized many such trips for them and others. Our guestbook contains 82 entries from the early ‘70s to the ‘90s. These occasions also helped us endure our strong homesickness. Almost all of them became friends. Budapest-based leading intellectuals also visited us during these decades: Sándor Csoóri, Mihály Czine, András Görömbei, Béla Pomogáts, Lajos Für, István Csurka and others. We had many visitors from Felvidék (Highlands, today Slovakia), for example Péter Nagy Püspöki, Miklós Duray and László Dobos. We became especially close friends with the latter; we met with him every year and I cherish his wonderful letters.

But not everyone looked favorably on them; many people thought that those Hungarians who were allowed to come from the Carpathian Basin were all communists or their proxies. They were also punished at home for these trips. There were times when the church lent a room for the events, but they often simply took place at our house. It’s not ostentatious, but it’s warm and natural; the windows bring nature close. In our marriage, it was Laci who usually made the important decisions but I was the one who insisted on buying this particular house. When he was forced into a wheelchair at the end of his life, he became grateful for it, because we could take care of him at home (instead of an institution) and he could easily go out into the yard. He said: this is our paradise.

László also became the president of the Magyar Baráti Közösség (MBK, Hungarian Communion of Friends). How did he become such an intellectual engine in the diaspora?

The MBK, which organizes the ITT-OTT (Here and There) conferences, started towards the end of the ’60s, when we met many young Hungarian intellectuals who were preoccupied with the same matter: the uncertainty of the refugee status. The immigrant youth movements didn’t see the long-term perspective of being Hungarians in America. They believed that while the immigrant mentality leaves only two ways open, returning home or assimilating, the diaspora spirit made it possible to stay abroad. The diaspora mentality finds the meaning of Hungarian identity in the traditional folk values ​​and advocates these throughout the world. It doesn’t isolate itself either from the world or from present-day Hungary but nurtures contact with both; builds and maintains relationships everywhere. The idea of ​​a ‘borderless homeland’ was therefore formulated: ‘Wherever there is a Hungarian, there is Hungary.

In 1973 an annual one-week community gathering began, also organized by Laci, which moved to Lake Hope in Ohio after three years. Hundreds of Hungarian intellectuals paid a visit there, and then typically to us. Close to 300 people participated in the first conference. However, after the regime change, maintaining contact with Hungary became easier, and interest in these kinds of gatherings dropped.

Yet your house remained a frequently visited intellectual center.

Since the beginning of the ’90s, we’ve hosted professional and political organizations and individuals in Hungary and the Carpathian Basin, supported by the USIA and USAID programs: mayors, university delegates, business leaders and politicians, among others, Géza Entz, György Granasztói, György Frunda from Romania, György Tokay or József Kasza from (former) Yugoslavia, László Józsa or Iván Gyurcsík from Slovakia. In recognition of our hospitality, the Cleveland Council on World Affairs awarded us both a ceremonial diploma. In May 1999, Hungary joined NATO, and as a precursor to that, in August 1993, the U.S. Department of Defense asked the Cleveland National Guard to coordinate the preparation of the Hungarian military for NATO accession. We hosted Hungarian and American staff delegations three times during those years, for which the State of Ohio honored us with the Ohio Distinguished Service Award.

In 2000, Minister of Education Zoltán Pokorni and his delegation visited us here, too. In 2002, Hungarian President Ferenc Mádl awarded Laci the Middle Cross of the Order of Merit of Hungary for his activities in the interest of Hungarians and in 2003, he received the Pro Auxilio Civium Hungarorum commemorative medal from the Hungarian Minister of Foreign Affairs. On October 23, 2004, Prime Minister Viktor Orbán (at that time the leader of the parliamentary opposition), who was visiting Cleveland as a speaker, also had dinner with us. We met him previously as prime minister in Washington DC in 1998. In addition to being a president of the MBK, Laci was the three-time president of the Cleveland Hungarian Club, the president of the board of directors of the American Hungarian Foundation and a member of the board of trustees of the Hungarian American Coalition.

What about your business your husband supported from the background?

Laci built two churches in Chicago and once I accompanied him on his visit to the city. It was our wedding anniversary, so he took me to a jewelry store to buy me a beautiful ring from their unique, wonderful stock. At Laci’s suggestion, we bought some jewelry, and later we opened a small shop in a new shopping center in Cleveland. This happened 40 years ago, and today we have our own building, studio, goldsmith, and we work with international designers. It was very difficult at first; if I had known, I wouldn’t have started it. We had to be open from 10 am to 9 pm every day and it entailed a lot of risk. Fortunately, I never got into major trouble. My younger daughter Barbara got involved while she was a student. Laci wanted her to pursue architecture, but after our daughter spent a summer as an intern with him, she refused. At university, she studied business and programming, while her husband studied finance. This is a very good combination, they could make excellent use of it. We worked well together for a long time, then she took over the business.

You always stood by your husband, which I assume wasn’t always easy…

When we came to America, both of Laci’s kidneys were attacked by disease, it couldn’t be cured. I prayed a lot to the Lord to not let him go. His disease completely disappeared, and he could live a normal life until he retired. This was a miracle, since the doctor didn’t encourage us at all, yet he lived until the age of almost 90.

Everything he did for the Hungarian people, especially all those meetings, I was part of and loved them very much, just as well as baking and cooking for these occasions. He organized charity dinners for really affluent people: five men in suits and white gloves served food to very rich Americans, while the women prepared the soups and washed the dishes. A dinner for ten guests cost 3,000 dollars, but usually three more dinners were immediately booked. That was considered very serious money at the time. For example, we could buy and send several TV satellites to Transylvania, supply computers for schools in Hungary, medicine and equipment for hospitals, etc. He was a charismatic man…Everything we’ve been through connected us. That’s why it’s so hard without him… I’m eternally grateful to my daughters and grandchildren, because they surround me with endless love and constant care: we are in daily contact and have dinner together every Sunday. I’m praying that I’ll live until we properly record my husband’s legacy.

Ildikó Antal-Ferencz

Reklám

Source: hungarianconservative.com

The 62nd Hungarian Congress organized by the Hungarian Association of Cleveland offered a diverse and valuable programme of scientific, economic and literary presentations as well as cultural experiences. Executive president Gabriella Ormay Nádas explained: the annual event and the organization itself were part of her husband’s (dr. János Nádas) family legacy; but she also inherited a family legacy of her own: commitment to the Hungarian diaspora in North America as well as the support of the Hungarian Reformed Church’s Collegiates in Transylvania. 

***

Please tell us first about your family, so that our readers may get a better idea of your legacies.

My parents immigrated from the Érmellék region (Transylvania, now part of Romania) and were so-called 1945 refugees. My mother, Gabriella Ormay (nee Kiss), was a volunteer nurse during World War II; she left the country with the retreating German-Hungarian army and never returned. My father, Dr. József Ormay was a bomber pilot whose squadron surrendered to American forces in Austria. My parents married in England and emigrated to Canada; I was born there. My brother and I grew up on the Niagara Peninsula. Very few Hungarians lived there, but my father was often invited to speak at local Hungarian national commemorations, so we never questioned our Hungarian roots. When I moved with my family to Toronto to attend University of Toronto School of Pharmacy, my family became active in the Hungarian community. My mother taught Hungarian at Helicon Hungarian School and succeeded in getting these language courses accredited by the Province of Ontario. My father also served as the president of the Hungarian House for two years. My parents had an ingrained sense of duty to serve the Hungarian community. I think they were able to instill those emotions in us. I became a scout leader, joined the Helicon Youth Association, of which I later became president. The Helicon Association was founded by Canadians of Hungarian descent aiming to promote and disseminate Hungarian national heritage, culture, history and traditions in Toronto. Its golden age was in the ‘60s, but when I got there in the ‘70s, the youth association was still strong.

We met every two weeks on Fridays to listen to lectures and then socialize. Later, our group of about twenty friends took over the organization of the annual Helicon Ball, of which I became the president in 1980. It was an elegant event, a representation of our community to the outside world, attended by many Canadian politicians. I must also mention that I have been a member of the Hungarian Scout Organization in Exteris as a squad and patrol leader in Toronto, a troop leader in Cleveland and a member of the leadership training program. This scouting background was instrumental in maintaining my Hungarian heritage.

What about your husband’s family?

My father-in-law’s family originated in Kecskemét, Hungary, then lived in Kolozsvár (today Cluj, Romania) and were forced to return to Hungary after WWI.  The three siblings, János, Gyula and Rózsa completed their doctoral degrees at the University of Economics in Budapest, and had promising careers until 1945 when they escaped to Austria from the incoming Soviet troops. Dr. János Nádas had already lived a very active community life back in Hungary: he represented the Hungarian youth at the Kossuth pilgrimage to the USA in 1928; he was the president of the Youth Association of the University of Economics and President of the National Association of Hungarian University Students. He was the editor and owner of the weekly newspaper Igaz Szó in Újpest, secretary of the Hungarian Press Chamber, and national secretary general of the Party of Hungarian Life. My father-in-law dr. Gyula Nádas was a financial advisor in the Ministry of Finance and Dr. Rózsa Nádas was the head librarian of the Chamber of Commerce and Industry in Hungary. Dr. János Nadás founded the Hungarian Association already in 1948 in the displaced persons camp in Austria, and then again in 1950 in Cleveland. He was joined by his siblings in the organization work, Dr. Rózsa Nádas was mainly in charge of the administration, Dr. Nádas Gyula organized the exhibits.

How did the two of you meet?

When I attended the Hungarian Congress in 1980, I met Dr. Gyula Nádas’s son János. He was born in Innsbruck, Austria, in a refugee camp, came to America as a small child, got involved in the Hungarian community in Cleveland, taking advantages of all it had to offer: he had Hungarian fencing, swimming and violin instructors and was a member of the local Hungarian scout troop. Thanks to his Hungarian coaches, in 1970, he won the NCAA (National Collegiate Athletic Association) fencing championship in épée and that partially opened the door to his acceptance at Duke medical school. Once he got his degree in psychiatry in Chicago he did do some scouting and helped his family with the Hungarian Association’s Congress. We got married in 1981, which is how I moved to the USA and became part of the extended Nádas family. We lived in Indiana initially, very far from the Hungarian communities and my Toronto-based parents, so we moved closer, to about an hour south of Cleveland, and thus we were able to get involved in the local Cleveland Hungarian community.

What was the original purpose of the institution?

Their call was ‘to invite all Hungarians to join the Hungarian fraternal community, to cultivate Hungarian culture, to improve their own destiny, to promote the great Hungarian goals’. They wanted to provide a home where at least once a week, on Sunday afternoons and evenings, „ all Hungarian individuals and families, especially new immigrants, could meet in an intimate and relaxed atmosphere, at minimal cost”. Social events were regularly organized (chess, bridge and tarot clubs, social and dance evenings), as well as a series of free university lectures featuring Hungarian emigrant speakers who were experts in their fields. Literary and artistic evenings, commemorations and anniversaries were also organized. The organization, although conservative in its values, was non-political. However, if there was a need to protest the Communist regime, for example in ‘56, they spoke out, and organized protests. For example, in December 1956, President Dr. János Nádas and General Secretary Aladár Burgyán sent a letter to American decision-makers calling attention to the oppression of the Hungarian freedom fight. In addition, they focused on preserving the Hungarian identity of the youth: not only in encouraging parents to support the Hungarian scout movement, but also organized a special language school. In 1961, under the leadership of dr. Ferenc Somogyi a two-year ‘Hungarian Studies Academy’, was established. The success of the academy prompted the administration of the Western Reserve University Cleveland College to start a Hungarian cultural history course in Hungarian, also taught by dr. Ferenc Somogyi.

Why were the Hungarian Meetings necessary?

Hungary lost a significant part of its educated middle class at the end of World War II. The Hungarian intellectuals, who had made friends in refugee camps in Austria, were scattered all over the world, and when dr. János Nádas, dr. Béla Béldy and dr. Ferenc Somogyi decided to organize a Hungarian Congress in 1960, participants came from not only America, but Australia, Argentina, Brazil, Venezuela, and Canada to attend.  Here individuals could freely discuss the challenges that the Hungarian immigrant community was facing. Over the years, its literary and artistic evenings, elegant banquets and Hungarian balls have become major events with a nationwide importance.

How and why was Árpád Academy founded?

In 1962, the Hungarian Association announced an annual competition and established annual awards to reward the most outstanding intellectual achievements. Gold, silver and bronze medals and certificates of honor named after Árpád, the first head of the confederation of Magyar tribes in the 10th century, were awarded. The first gold Árpád medal was a stylized copy of the Hungarian Golden Bull, drawing attention to the historical fact that the publication of this Hungarian constitutional charter of freedom in 1222 followed only seven years after the publication of the English Magna Carta. The establishment of the Árpád Academy was decided in 1965, to group together the winning competitors. Their aim was to search for, enumerate, professionally evaluate, preserve and promote the recognition of outstanding works of Hungarian authors, artists, researchers and professionals living in the Diaspora. Dr. Ferenc Somogyi, was the first general secretary and his legacy today is carried on by his son Lél Somogyi.

And how did you end up on the board of the Hungarian Association?

My involvement started only in the late 1990s when members of the previous generation passed away or were no longer able to carry on organizing the events because of their age. There was a functioning Board, which slowly grew to encompass a younger generation including people whose parents belonged to the Hungarian Association, such as the current vice-president dr. Márta Pereszlényi, Lél Somogyi or my sister-in-law, Panni Nádas Ludányi. Dr. Gyula Nádas took over the Presidency of the Hungarian Association in 1992 after Dr. John Nádas died. His son, my husband Dr. John Nádas took over the organization in 2004 as President. Currently we focus on organizing the Hungarian Congress, the meeting of the Árpád Academy and the Hungarian Ball every November. The Hungarian Community in Cleveland is very strong with many monthly meetings including lectures and exhibits by the Cleveland Hungarian Heritage Museum, Hungarian National commemoration by the United Hungarian Societies, and there are several Hungarian church and Hungarian scouting programs. Our yearly meeting further strengthens the community offerings.

How has the Hungarian Association adapted to a changing world?

This is a difficult issue. The people for whom these meetings were an integral part of their life have passed away. One challenge we face is that the event is on Thanksgiving weekend, which is a family holiday in the USA, and many of our members travel out of state to be with their families. On the other hand that is when a lot of college students come home, and the Congress gives them a chance to get together. This year, family values was our main theme, and for the first time, we introduced a family program with children’s games. This brought in the thirty- to forty-year-olds, who brought their children and while the children were playing, they could talk to each other or attend presentations. Ilona Gulden and János Szabó, organized a folk dance for families. We also had a puppet show re-enacting the folk customs of the Bethlehem Story. One of our legacies was debutante balls. At this moment being a debutante is not trendy, but the atmosphere of times long past was recreated by the Hungarian Scout Ensemble performance of the traditional Palotás Court dance. We are trying to recruit younger people as organizers; for instance, my husband’s niece, Krisztina Nádas, joined us recently as treasurer. Her daughter Réka and her sister-in-law Tímea Nádas gave lectures. The whole Nádas family participated at the Ball. Kata Nagy Nádas is planning to put together a Hungarian evening show performance for next year. Every year young Ferenc Somogyi, Lél Somogyi’s son, helps with the IT. But it is not enough to have one or two families help; this is not a family organization. We would like as many people as possible to come, we need people of all ages. This needs to be a community affair.

Let’s also talk about your other family heritage, the reformed (Calvinist) colleges in Transylvania.

After the change of regime, in 1990, I was asked by my mother’s cousin Dr. Kálmán Csiha, Bishop of The Reformed Church of Transylvania to be the administrator of the Calvin Synod’s mission to support the schools of the Reformed Church in Transylvania.

Our first fundraiser was for the construction of the dormitory of the Reformed Church Kolozsvár Boarding School which became the Diaconate building. Then we started the symbolic godparent program to financially support the students attending the school. The donations supported the building of the Diaconate building in Marosvásárhely (Târgu Mureș, Romania), the refurbishing of the Bolyai School in Marosvásárhely, and the building of the gym in the Székelyudvarhely (Odorheiu Secuiesc) Collegiate. Today we support four Reformed Church schools in Transylvania, with donations for school upkeep and student support. In total, more than two and a half million dollars have been donated to these institutions all from Hungarians living in the Diaspora. Initially we supported ten students; today we support 130.

Are you coordinating all this? Why did you take it on?

Transylvanians have always been dear to my family. When Bishop Csiha was put in a Romanian prison for political reasons after 1956, my grandmother went into mourning. As a child, I did not understand what was happening, I just felt that it was something very serious. The fate of the Hungarian minority in Transylvania is something that has stayed with me for my entire life. I think many people in my generation are still emotionally very much attached to Transylvania. I do coordinate the Calvin’s Synod School mission, but I have had help and support from several individuals. Edith Lauer, my friend, was well versed in fundraising and provided much needed guidance. Rev. Béla Szigethy, who lived on the West Coast, and Rev. Sándor Babos, the only missionary of the Reformed Church, were my spiritual supporters, but they both passed away long ago.  My job currently is meticulous background work: keeping in touch with our donors through newsletters, following up regularly, thanking them personally for their donations, commemorating deceased donors, etc. Thus, the whole donor community is like a circle of friends working together for a common cause. Some donate $100, others $150,000, depending on how much money they can afford and how emotionally attached they are to the cause. Those who pass away usually leave us larger legacy donations. Sadly, no new donors have stepped into their shoes, so this year there were only twenty-seven donors, but still $118,000 was collected, which is a large amount. I hope the next North American Reformed Church Calvin Synod bishop will support the mission, like our current Bishop, Rev. Dr. Csaba Krasznai does. Fortunately, the Hungarian government is supporting the Transylvanian churches and their institutions, so I no longer have the feeling that their financial fate depends solely on this mission.

Source: hungarianconservative.com

Reklám

Source: hungarianconservative.com

Zsolt Bede-Fazekas is passionate about the preservation and transmission of Hungarian culture in the diaspora. He is editor-in-chief of the Toronto Independent Hungarian Radio, co-founder of the Paraméter Club, which has hosted countless homeland performers from Tamás Cseh, the Bojtorján Ensemble and Péter Huzella to Miklós Jancsó; owner of the last Hungarian bookstore in the Western Diaspora called Pannonia; he is also the former cultural director of the Hungarian House of Toronto and recipient of the Friends of Hungary Award. At the congress of the Hungarian Association of Cleveland, a documentary movie by Anna Szakály was introduced showcasing his life and achievements. After the screening, we continued the discussion on the cultural situation of the diaspora.

hy did you relaunch the Paraméter Club only recently, long after the end of the Covid pandemic?

It is operated in a special building where disabled people are cared for, and the club has an office upstairs where the caregivers stay, who still wear masks. We also share the restrooms. However, if I had seen more activity in the Hungarian community, we might have started a little earlier. I would be lying if I said that the late start was not due to the fact that the cultural situation of our community has deteriorated a lot.

Why do you think that is the case?

There’s a lot of unpretentiousness and indifference. I have always worked with various Hungarian institutions, and I have recently heard a lot of complaints about the managers who do not dare to do anything, or if they do, they do not provide any guarantees, because it is completely uncertain whether five or a hundred people would show up. You are enthusiastic about bringing a good artist here – from Hungary, with whom you agree that it would not cost too much – and you approach an institution with this idea; but the first thing the manager says is that they cannot organize it, because no one might come. Very disappointing answer that breaks your enthusiasm. In such situations, I get to the point where I do not want to continue. Then I hear or see something good and get enthusiastic again, but then might hit the wall again… This is because there are people in positions who do not know much about culture, yet they can decide who/what to perform, and sometimes the result is not even entertaining. At the same time, I believe that we have to push culture down people’s throats even if there is momentarily little demand for it.

As someone in the documentary says, we have to go back to the roots and rebuild the whole structure from there. For this, we need the right people. A person in a position recently said that paid professionals should be brought from Hungary to run the Hungarian cultural institutions in the diaspora. I do not agree. It makes no sense to bring someone for a lot of money who has no local knowledge or contacts. If we cannot find competent people in the diaspora who are paid properly for their work, then it does not matter anymore. We ourselves have to ‘raise’ those who can run a Hungarian bookshop, club or house or radio.

Every community, all civil and parochial institutions have been equally struggling with revival since the Covid pandemic. Why do you think people are still reluctant to attend social and cultural events?

At the last Hungarian Congress before the Covid pandemic, after my speech there was a small discussion where young people asked: why organize live programmes when everything is available on Youtube? Why organize live concerts with the Kaláka band for instance when you can watch them online? During the pandemic, many people got hooked on online broadcasting and stopped physically going anywhere. Lot of community leaders made the mistake of continuing streaming their programmes online. Even today in churches you can see pastors saying goodbye to those sitting in front of the screen and wishing them bon appétit for lunch. I do not think this is the right direction. My son recently told me that when their company’s Montreal office announced that employees would have to go back to the office at least for a few days a week, many people quit. He added that if the Toronto office had the same decision, he might leave the company, too. This was shocking to me.

So it is not just about the health-related effects of the pandemic (with Canada having very strict restrictions by global comparison), but also about changing cultural consumption patterns. You mentioned the balls. Obviously your problem is not that there are balls organized…

It has never been a problem of having something, it is a problem of not having alternatives. When we moved to Toronto and wanted something culturally different from what existed there at the time, we created what we needed and what we loved so much: places and events offering a higher culture. But with the pandemic all that disappeared, and only the ballroom dancing came back. If you look at the diaspora in the West, Hungarian scouting, folk dancing and weekend schools are important, even dominant. But where are the parents? Most of them, unfortunately, do not attend any cultural events, they do not help maintain these events, clubs and houses, and therefore, as soon as their children will leave school and stop scouting and folk dancing, their Hungarian identity will also end.

Hungarian teachers could also take their classes to cultural events…

Indeed! Once I begged a secondary school teacher, a good friend of mine, to bring the children to the performance of the storyteller András Berecz, as it would be a great experience for them. He came with all kinds of excuses. These are the phenomena that send us going down the drain day by day… I am sorry but I cannot see the future in pink: the Hungarian quarter has disappeared in Toronto, the Hungarian restaurants have closed: we used to have more than twenty restaurants, now we have only one or two. There are signs of decline everywhere, although the Hungarian diaspora is not necessarily declining in pure numbers. There may be even more people who identify themselves as Hungarian in Toronto or Canada these days than twenty or thirty years ago, but those who are actually nurturing and maintaining our culture and our communities are fewer and fewer.

Jesuit Father Tamás Forrai, who also lives and serves in Toronto, told me the same in a recent interview.

Father Forrai warned us the other day by saying: ‘I’m just a tourist here’. His time will soon be up and they will send someone else to replace him. Just by the time we got to know Father Szabolcs Sajgó better, he went back to Hungary and continued his fantastic work at home. Father Tamás has also done a lot of great things, like bringing the school back to the church, but he is still a ‘tourist’ who will soon be packing up and going home. That is why it is important: there is no need to bring professionals from home. Within the church, it is not realistic to expect and count on local replacements, i.e. priests or pastors born in the Hungarian diaspora, but with (Hungarian) culture it is different: it is our own responsibility to preserve it. Before the pandemic, there were plenty of opportunities for state grants, and there are still today, but fewer. I have no right to say whether or not something or someone is eligible to receive a grant, but I do have an opinion on the matter: there are many Hungarian communities who are not using this money in the right way. Every penny should be spent literally on surviving spiritually and culturally.

Speaking about the next generation, is it not feasible to continue your work within your family?

None of them are going to be Hungarian radio speakers or cultural community organizers; they do not have the drive for it. Nor do they have the background that I had in Győr, Hungary, where I was constantly building up cultural contacts, which I have maintained also after my immigration to Canada. But it is not really my children’s age group we are missing here, but middle-aged parents somewhat younger than me.

Indeed, but can anyone have as many connections as you do? Can your very rich experience and broad network of connections be passed on to somebody?

I think so, if there was a demand for it, i.e. if I could see that there was someone who wanted to continue and would put their own effort in it. For example, if the Hungarian institutions said: although you are not our cultural director, we need your advice. Just like the people who recently asked me to help them to have a better programme and I suggested they work with Gyöngyi Écsi. I did not manage her or the relationship, I simply facilitated the connection and thus she was their guest, not mine, and now they have a relationship with her that they can build on. But institutions do not have this attitude, they make it more of a vanity issue and decide by themselves who/what to invite. It is sad because I would be happy to pass on my knowledge and to help with contacts though. Nevertheless, I could still make the Paraméter Club work, like in the good old days, if there was a demand for it; but it is time for someone to take it over. I am not getting any younger and we are very fond of Hungary, we would like to spend more time there. But that does not mean that there would not be a new impetus. We had (renowned Hungarian historian specializing in the research of the Communist era in Hungary) Zsuzsanna Borvendég join us recently and lots of people came together and I have some other ideas, for example (popular rock musician, composer, singer of the Hungarian band Magna Cum Laude) Misi Mező, who could also be a ‘big headliner’ to help relaunch the club. But, overall, I think it will never be the same…

What about the Independent Hungarian Radio? Does it have a future?

It has become an internet-based radio; so I can broadcast from anywhere, even from my kitchen in Győr, I do not need a studio anymore. In our home studio in Toronto we have a small mixing desk and two microphone stands, so we can have three people talking together, but by now such small mixing desks are available that I can easily carry in a bag. The radio in fact is becoming more and more popular. To my utter amazement, I have had people stop me here, in Cleveland telling me that they are listening to it.

There are not many Hungarian radios left in the diaspora by now – Bocskai in Cleveland, ours in Toronto, Magyar Híd in Vancouver, ZeneBuona in Calgary, Mozaik Sydney in Australia – and they are all very different. People who listen to my programme are interested in how Hungarians live, how they think, and what they do all over the world. An actress from Szeklerland said: ‘Zsolt, you are building bridges between us, between Szeklerland and Hungary’. I am talking to a Hungarian from Győr or from Transylvania or from North America in the same way; they feel that bridges are being built between them.

You were the cultural director of the Hungarian House in Toronto some time ago, is that correct?

Yes, I was the cultural director for six years of the brown-brick old Hungarian House with the Budapest sign on it. It was very difficult to maintain that building, very uneconomical, but it was full of fantasy: there was a great hall with the Hungarian Saint Crown hanging in the middle, there was a restaurant section, the Matthias Cellar, where we also had Renaissance themed dinners, with my friend, the singer (énekmondó?) Zoltán Kátai – who has since passed away – of which I am particularly proud. In spite of the two hundred high quality and not unprofitable cultural programmes, despite the fact that we always had a vision, there were a lot of financial problems, since the monthly fixed cost of the house was twenty thousand dollars. Eventually we sold it and a few years later we bought the new house, but I never went back to become cultural director.

You mentioned that you not only brought high culture from Hungary, but you also took it there, too. How?

I was the director of external relations for the Mediawave Festival for twenty years. From there I could easily manage things abroad, and in doing so I also got involved with the events organized back in Hungary. When I took a Canadian singer there, and the Canadian ambassador was present, it occurred to her that it would be good to have a Canadian movie week. I was happy to organize it, I got the movies together, I even asked George Lantos for some, and the result was a fantastic movie week of 10-15 Canadian movies in Hungarian cinemas, and I was invited to the opening ceremony. It was the first programme of its kind, thanks also to the fact that Eszter Rodé, the cultural attaché at the Hungarian Embassy in Canada was a human link between the Embassy and Hungarian culture; an outstanding person who sent Canadian diplomats to the Canadian programmes we organized and also to Mediawave. That is when we built all those relationships that grew into the movie week that I am very proud of. Later I also introduced Canadian artists, musicians and filmmakers to Hungary.

Pannonia is the only Hungarian book distributor in North America. Who are your major customers?

The Cleveland Scout troop orders gift books from time to time, but a lot of the boxes you saw in the movie go to libraries in Washington D.C., Cleveland, Toronto. They do not buy directly from Hungary because it is too complicated for both parties. Libraries like to place the order and get the books. But there is a lot of administrative work to be done in the background. My wife gets angry sometimes, because the libraries request us to produce a list of a few hundred books, translate the titles, etc., which she spends an awful lot of time on, but then they say half of those on the list should not be part of the order. A regular distributor would not do this. Libraries approach us, we put the order together, they give us a card number and we sort everything out. It would be difficult to do this from Hungary, and packages can get lost on the way. Sometimes Hungarian schools in North America also place orders with us, but less and less often, and sometimes teachers do not even use the gift vouchers received from the heads of their institutions… We often wonder whether Hungarians go to the libraries, because if no one borrows a certain type of book, the available funding will be reallocated to books in other languages. We are terrified of that, but for the time being it works. But once the libraries (also) stop, it will be a very serious blow for us…

Finally, you said that in the future you would like to spend more time in Hungary. Why and how?

We bought an apartment in Győr. It is small but beautiful and at a very good location, not in the downtown area, but still within the town borders, close to the Danube. We left a dark, smelly town at the end of the ‘80s and now we are going back to a magnificent, architecturally and culturally valuable place, where it is very nice to live.

If we did not have children, we would already be living there; but we did not want to put them in a difficult situation. The grown-ups would not come anyway, and we would not want to take the 17-year-old ‘little one’ away from his siblings. If they decide to go, they will go on their own. Which is a real possibility, because they really like it there. We have taken them not only to Hungary, but also to Szeklerland, Délvidék and Felvidék, to festivals, where they were sometimes bored, but they got the atmosphere. They also say that Canada does not have the quality of culture that Hungary has. My son, for example, was very much fond of the professionality and creativity of the House of Terror. Of course, there are museums here, too, but you would not find a Hungarian National Museum in a country that is a hundred and fifty years old.

Ildikó Antal-Ferencz

Source: hungarianconservative.com

Reklám

Réka Sundem, the youngest speaker at the Hungarian Association’s annual conference in Cleveland, spoke to Hungarian Conservative about her experience as a student enrolled in one of the Balassi Education Programs in Hungary. Beyond the details of her scholarship, we also asked the 18-year-old about her mixed, Hungarian–American background.

***

Your background and family were not mentioned in your presentation. Tell us about them.

My maternal great-grandparents immigrated from Budapest; my grandparents were born ‘on the road’ in Austria; my mother was born in Chicago. Since my American father was in the military, we moved around a lot and all my siblings were born in different states. I was born in California, my sister in Georgia, where we lived for five years, and after my dad died, we moved to Cleveland. We’ve been living here for about 12 years. My mom’s partner is also American, so my life continues being half Hungarian, half American; we still speak both languages at home. With my mom, mostly Hungarian, but if her partner is present, obviously English. I have three brothers, the oldest is 24, and a sister who is 15.

How do you cultivate your Hungarian language, culture and identity?

Many of the Hungarian scouts have two Hungarian-speaking parents, but we speak much more English than Hungarian at home. For example, if it was about the American school, we would talk in English, but if it wasn’t about that, we would try to speak Hungarian. Often we would start speaking in English and my mother would reply in Hungarian, and she would do so until we realized that we should also speak in Hungarian. And there were times when she specifically asked us to speak in Hungarian.

I think that despite my mixed family background, my Hungarian was good enough because there are so many Hungarian programs here in Cleveland. We have Hungarian school on Mondays, Regös (traditional folk culture-focused) activities on Tuesdays, Hungarian scouting on Fridays; we also have performances and multi-day camps. That means that three or four times a week we have the opportunity to speak Hungarian outside the family. If these opportunities did not exist, I would definitely not speak Hungarian like I do. Of course, using the language at home is not to be neglected either, and it is very important, but it would not have been enough for us, even though our father was supportive in this respect. My brothers and sisters all went to Hungarian school and Hungarian scouting. The only thing that was not compulsory for us was the Regös group, that was our choice, but since this was also a good community, we all but one of my brothers signed up for it. I did not only participate because I wanted to learn Hungarian folk dances and more about Hungarian culture, but also because I had Hungarian scout friends there.

But you were the only member of the family to apply for the Balassi scholarship, which is a full-year program in Hungary.

Yes, even though I had planned to start university studies right after high school. Living abroad for a year was not part of my plans at all, but at the suggestion of a friend who was studying in Boston, I finally decided that it was more important to go to Hungary now and expand my vocabulary and learn about Hungarian culture, because during the Covid pandemic my language skills were weakening as we were unable to be part of the life of the community. I also knew that once I was in Europe, I could travel to other countries. Obviously the most important factor of my decision was learning Hungarian. When I arrived in Hungary, I felt like I was behind, and had a lot of catching up to do. Whenever I spoke with or in front of my teachers, I always felt I was speaking incorrectly. I am aware that even now I still make mistakes when speaking or writing. So it was quite difficult at the beginning, even though many of the participants did not even know Hungarian that well; some of them did not speak it at all.

Have you been to Hungary before?

Yes, several times. My mother has a good friend there whom she met when we lived in California; her husband was also in the military. Whenever we went to Hungary for two or three weeks, we always stayed at their place so my mom could spend more time with her. Almost all of our Hungarian relatives moved to America over time, only one or two distant relatives live in Hungary. However, a few years ago one of my American uncles married a Hungarian woman and they live there now, which was very good for me because it allowed me to get to know them and their young children better, since previously, during the Covid pandemic, we could not meet. This summer I was part of the three-week Carpathian Basin tour of the Regös group with my sister, but five years ago only my mom and two oldest brothers accompanied them, while my third brother, my sister and I were at a horseback riding camp. During another summer, my siblings and I took part in a sailing camp, while my mom was at a dance camp. So I had already participated at Hungarian programs, immersed myself in Hungarian culture, and felt that Hungary was my home. But at the same time, I felt like a tourist for the first few months, because I wanted to see everything. I did not know Budapest that well before. I also had to learn how to use public transport.

What was your most memorable experience from this year?

I think it was a great, life-changing experience, because we had a fantastic group and really cool activities. My friend from Boston became my roommate, but I got to know all of the 40 or so participants. I have kept in touch with them since then. A Spanish girl became one of my best friends. I was in the Hungarian language and culture program, but there were other kinds of courses, and there were about 200 of us living in the same hotel, so I met a lot of new people. Out of 40, the better Hungarian speakers were about 18-22 years old and most of them were scouts, those with more modest Hungarian skills were typically a bit older, about 18-35 years old.

The excursions will certainly remain an eternal memory. In the fall we were in and around Eger, and in the spring we visited Transylvania, around Torockó, where we got to closely experience traditional rural lifestyle. We also went to the Bugaci puszta for a whole day, listening to lectures and we also went to a wine tasting event. And during our lessons, we went to the Palace of Arts, the Ludwig Museum and once they took us to the theatre, too.

You said you were most proud of your final thesis. Why?

I wrote a twenty-four page essay in Hungarian, but not only the writing, but the whole research was also completed in Hungarian. I had to read and fully understand books in Hungarian, and how I wanted to include the relevant content in my thesis. This meant a whole year’s work: the topic had to be chosen by November, a draft outline produced by the end of the year, research was underway at the beginning of the year, the thesis had to be put in writing by May and defended by the end of June. My mentor was very helpful. The topic of my thesis was Matyó embroidery and I chose it because we had previously had a scouting program where we did embroidery. Each group was given a motif from a different region; I was given a Matyó rose to embroider. I really liked it, but I did not know anything about who the Matyós were, where they lived, why they embroidered such patterns, why they used such colours etc., so I started to get interested. That is how it started.

And what did you miss in the program?

The contact with regular Hungarian students should have been a bit closer, because we did not have the opportunity to meet locals. There were a lot of programs where foreigners met each other, but there were no programs or other opportunities to meet local Hungarians of our age, which I think would be very important and should be included in the program somehow. It would be useful to get to know them too, especially for those—and there are quite a few of them—who are contemplating on further plans in Hungary, like myself. The other is that there is no formal alumni program organized. I know that in the diaspora there are programs organized for various alumni, but not officially by the Balassi Institute. Finally, we could have been given more exposure to contemporary culture as well as popular culture. The museums were very interesting, I would have liked to go to more, as well as to galleries, theatres and cinemas.

What cultural differences did you have to get used to at the beginning?

In American shopping malls you find everything in one place, while in Budapest I had to go to separate stores a lot. I also had to get used to public transport because I drove everywhere in Cleveland. I do not have a car in Boston either, I use public transport there, but it is not as good as in Budapest. And I had to get used to the education model itself. We stayed in the same classroom and the teachers rotated, which is the other way around in America, and I also had to get used to learning in a small study group. There were only seven or eight of us in a class. I used to be in classes of 20-30 in the United States and if I did not want to answer a question from the teacher, I just simply did not look at her and it did not really matter, because there was always someone else who was willing to answer. But in our Hungarian study group we always had to say something regardless of whether or not you wanted to. I was also able to develop a much closer relationship with the teachers, which was good overall, just a bit unusual in comparison with my previous experience.

What did you do with what you learned during the program after you returned home? What are your plans for Hungary?

I do not know yet, but at the end of the school year I wanted to show the people here in Cleveland what I had covered in my final thesis. I had gathered so much knowledge about Matyó embroidery that I wanted to present it to the scouts, because I did not know much about it before. However, now I am so busy with my university studies that I do not have time for scouting at all. However, since I came back I have told others about the Balassi Institute, and I know some friends who want to apply for the program; it is worth promoting it that way. As for my plans for Hungary, I do not have any concrete plans yet, I just had such a good time there that I would like to go back, but I do not know when and how.

Ildikó Antal-Ferencz 

Source: hungarianconservative.com

Reklám

Source: hungarianconservative.com

The annual congresses of the Hungarian Association have been organized since 1961. They focus on issues that affect the Hungarian American community, providing educational, literary, scientific and motivational lectures, as well as screening films. The congresses recognize and honour, through the Árpád Academy, those Hungarian Americans who serve the community through outstanding volunteer and professional, literary, artistic or scientific activities.

The mission of the academy is to raise awareness about the Hungarian artists, writers and scientists living in the West

and their works, and thereby to awaken and enhance the Hungarian creative spirit in the diaspora. Thus, the database of the academy is a tangible testimony to the enormous loss of intellectual value suffered by the Hungarian homeland as a result of losing two world wars and the suppression of the 1956 Revolution and Freedom Fight. However, it also displays the intellectual gains of the host countries of Hungarian immigrants having provided them with the opportunity to live and work in the free world.

The 62nd Hungarian Congress was hosted by Dr János Nádas, the President of the Hungarian Association, his wife, Dr Gabriella Nádas, Executive Director, as well as Lél Somogyi, the Secretary General of the Árpád Academy on 24–25 November in Middleburg Heights, Ohio in the US.

The mission of the academy is to raise awareness about the Hungarian artists, writers and scientists living in the West

and their works, and thereby to awaken and enhance the Hungarian creative spirit in the diaspora. Thus, the database of the academy is a tangible testimony to the enormous loss of intellectual value suffered by the Hungarian homeland as a result of losing two world wars and the suppression of the 1956 Revolution and Freedom Fight. However, it also displays the intellectual gains of the host countries of Hungarian immigrants having provided them with the opportunity to live and work in the free world.

The 62nd Hungarian Congress was hosted by Dr János Nádas, the President of the Hungarian Association, his wife, Dr Gabriella Nádas, Executive Director, as well as Lél Somogyi, the Secretary General of the Árpád Academy on 24–25 November in Middleburg Heights, Ohio in the US.

The most relevant presentation of the Psychology Symposium was given by Beáta Krasznai on the issue ‘how to raise bilingual children who can cope with two cultures?’. Born in Hungary, she has lived in America for more than 20 years. She is a clinical counselling psychologist at Cleveland State University, and holds degrees in school counselling and learning guidance.

In her presentation, Krasznai explained, based on the levels of Maslow’s pyramid of needs, that language as a social (communication) need appears at level 3 of the pyramid, only after the needs for existence and security have been met. She pointed out that shared language skills in the (grand)parent-child relationship help bridge generational and cultural differences; and play the most important role in conflict management: a parent who knows the language is always at an advantage, but the more the child knows about the parent’s language and culture of origin, the easier it is to manage conflicts within the family. Level 4 of the pyramid of needs relates to self-esteem; at this level, young people start to value bilingualism. As explained, a Hungarian American child with a healthy identity is ‘100 per cent Hungarian and 100 per cent American’, so the two cultures should not be set against each other; moreover, if skilfully combined, the result can benefit all children (and families).

To achieve this goal, it is worthwhile to follow a few rules and acknowledge a few facts, such as: children learn their language from adults (the role of the primary caregiver, who is not necessarily the mother, is crucial in this regard), so the sentiment that ‘the child cannot or does not want to speak Hungarian’ underestimates their intellectual abilities.

If the parent is unsure or potentially ashamed of their own language skills, their children will switch to another language to avoid the issue; therefore, we should not switch languages even if the environment or circumstances change (i.e. for the sake of others we should not speak to our child in a different language than we used to), and we should take up any resulting conflicts (also with third parties) in a courageous but civilized way. We should accept that there are differences even within families: the first child raised in the diaspora is typically the most proficient in Hungarian compared to younger siblings.

It is usually around the age of 10 when a child starts to be bothered by poor vocabulary, so it is very important to have them listen to and later read themselves as many Hungarian stories as possible.

It is not a problem if a child speaks English (even within the family); the important thing is that he or she also knows Hungarian. Instead of shaming, we should repeat to him or her in Hungarian what they told us in English during a conversation; and we should use all language learning resources and tools, as there are many opportunities (including communication tools) available to us nowadays. A positive attitude, good examples and playfulness (games, stories, humour) are also very important.

Level 5 is about self-expression, which is also about helping others. The speaker stressed the role of grandparents of Hungarian origin (as helpers within the family) and Hungarian communities (who are, not instead of parents, but in addition to them, also instruments for the cultivation and transmission of the Hungarian language and culture)—for this, however, the community must be attractive for the children: it must have an atmosphere where it is good to be Hungarian. ‘I have accepted that my children do not speak Hungarian like their parents, but this is not a surrender, it is a lifelong parental duty’, Krasznai concluded.

The Psychology Symposium was followed by a photo report about the summer tour of the Regös troop of the Cleveland scouts.

The young Hungarian American participants were able to discover the beauty of homeland landscapes, watch closely the everyday life of their hosts and get directly acquainted with local Hungarian folk culture: folk songs, folk dance, folk costumes and traditions. By staying with local families, they strengthened their Regös scouts commitment through their personal experience and connections, grew their knowledge base, and, upon their return, enriched the Hungarian community in Cleveland.

40 people participated, spending a total of 21 days in Palócföld (Kazár, Hungary), Székelyföld (Seklerland, Transylvania, Romania) and Csángóföld (Gyimes and Moldva, Romania). The initiator and organizer of all four tours so far was Eszti Pigniczky, a Cleveland scout leader, also the former leader and current professional staff member of the Regös troup.

After her explanation of the organizational and financial aspects of the tour, three young Cleveland-born participants (Enese Pigniczky, Ferenc Somogyi, and Kinga Turóczki) continued the presentation sharing their own experiences. What they found most exciting in Palócföld were the differences and similarities between the Hungarian customs they preserve in the United States and those learned there. They noted that the Hungarians in Székelyföld should also pay attention to preserving their traditions; and despite the poverty and forced assimilation in Csángóföld, people are characterized by hope, faith, joy, and vitality.

One of the most memorable presentations on the second day of the conference was delivered by Zsófia Dorgay, a native of Kárpátalja (Transcarpathia, Ukraine), who currently lives in Budapest.

‘Are You at Home?’ was the title of the presentation, in which she illustrated, with lots of photos, the everyday life of the Hungarians of Kárpátalja affected by the Ukrainian-Russian war, and shared short stories and personal comments. Dorgay is currently a reporter-editor at the Religious Editorial Office of Duna TV and a contributor to Bocskai Radio in Cleveland. She continues to keep close contact with Hungarian church and civil organizations in Kárpátalja and visits her 85-year-old grandmother in the region (in a village called Szürte) every month, thus staying up to date with the daily life of local Hungarians.

As she explained, when the war broke out, many people had already been working abroad, so they were no strangers to cross-border family life, especially since the Covid pandemic, and they certainly have not returned home. The atmosphere on the streets is peaceful, but mainly women, the elderly, and small children can be seen, while the Ukrainian National Anthem and posters promoting the draft signify the presence of war. Those left at home, especially the elderly, have serious financial difficulties and women are the backbones of the families, since very few men are exempt from the draft: those having large families, caregivers of the elderly, and public sector workers.

Schools have been without normal education for almost four years by now; school days begin with a minute’s silence in memory of those who died in the war and in honour of those currently fighting. In the event of air strikes, classes continue in shelters (of schools or homes).

Churches are trying to support people spiritually and financially: a parish priest from Eger, who has been carrying out a mission there since the beginning of the war, also organized a family reunion camp at Lake Balaton in the summer. Ecumenism is on the rise, family days are organized in several places, and church renovations are being carried out with funding from the Hungarian state. Cultivation and transmission of traditions continue where possible, with choir rehearsals, talent contests, and harvest fairs to maintain the illusion of normality and hope for a viable future.

Many students go to school in Hungary, but summer holidays are a challenge for them; and those approaching 18 often say: ’This is my last summer at home’. Those who have left or leave their homes, often have to make a decision in a very short period of time and are forced to leave everything behind. Many say that they do not feel at home in Budapest and are homesick; others appreciate the ample opportunities, the security and the warm welcome they generally receive in Hungary. Most of them would like to return, but are uncertain. After the presentation, many questions were asked, most of them about help. Zsófi Dorgay brings home donations, including those from the St Emeric (Szent Imre) Church’s Laszlo Day-collection to the inhabitants of Szürte, for whom Bocskai Rádió already organized several similar campaigns in the last two years.

After lunch, Father András Mezei gave a presentation entitled ‘The Family is God’s Gift’.

Father Mezey was born and raised in Ditro (Transylvania, Romania); and after serving in Keszthely and Csabrendek, he served as the administrator of the parishes of St Emeric and St Elisabeth in Cleveland for five years, then returned to Keszthely.

He emphasized that family is ‘the place of the sanctity of life’

and the priests are often present in the lives of families, preparing them for and serving them with the various sacraments: baptisms, first communions, confirmations, preparation for marriage, weddings, baptisms of children, and funerals. Many people do not take the sacraments of life seriously, because they think that ‘the paper is not important’. However, ‘the meeting of two bank accounts will not last for long,’ he warned, and added: if we set conditions for each other, we love ourselves, not each other.

Furthermore, a family is like a candle, and we need to feed its flame, that is, we need spiritual enrichment in the marriage. Speaking of his years spent in the United States, he recalled how much local Hungarians do for the community and how ‘shrines’ built from family photos are common in their houses—and reviewing those ‘equal to a spiritual exercise’. He mentioned that, in three years, he had visited more than a thousand patients at the local university hospital, touching most of them on their foreheads (despite the Covid pandemic), and some perceived it as an encounter with God. He also pointed out that the developments of the last two centuries have not been favourable to families: industrialization, urbanization, women’s entry to the labour market, the two world wars, and the treaty of Trianon, as well as the internet and smartphones have all undermined families.

Finally, to those who hope for a better future, he said: ‘Don’t just hope for it, do it’.

Lunch was followed by the meeting of the Árpád Academy, during which Dr János Pál Gyékényesi, this year’s recipient of the academy’s award, gave a lecture entitled ‘The Role of Space Research and Football in the Life of a Hungarian Refugee’, in which he described two parallel threads of his rich and active life: his 51 years at NASA and several decades of activity in the world of soccer.

The congress concluded with a documentary made by Toronto-born editor Anna Szakály about the life of Szabolcs Bede-Fazekas, a well-known Hungarian radio station and bookstore owner and programme organizer in Toronto. The gala dinner started with the opening dance of the Regös Group, followed by the introduction of the debutantes, presentation of the new inductee to the Árpád Academy, Dr János Pál Gyékényesi, and a ‘Quadrille Court Dance’ performed by ball attendee couples. The Harmonia band kept the party going until dawn.

Ildikó Antal-Ferencz

Source: hungarianconservative.com

Reklám

Source: hungarianconservative.com

The Hungarian American Athletic Club of New Brunswick (HAAC) is one of the most prominent Hungarian social and cultural organizations in North America. For its 110th anniversary event, the ballroom of the club, believed to be the most magnificent one among the whole Hungarian-American community, was decorated with stunning elegance. The founding members were commemorated with photos and candles placed on the stage.

After the singing of the national anthems, the guests were welcomed by former club president Mózes Kovács, who has been temporarily leading the club, together with Mária Stumpf (also a former president), since the beginning of this year. Then István Pásztor, Hungarian Consul General of New York, welcomed the guests. The club’s folk-dance ensembles, Csűrdöngölő, Mákvirág, and Fészer Band, as well as award-winning operetta prima donna Ibolya Nagy and opera singer Gergely Boncsér of the Hungarian State Opera entertained the audience, while the Horváth Duo, featuring singer Tünde Csonka, made guests dance after the performances. Denisa Varga-Bottova, former club president and folk dance group leader, was serving as the master of ceremonies throughout the programme.

The Brief History of HAAC

As the commemorative booklet explains, when 13 enthusiastic, sport-loving young Hungarian men won an unforgettable victory, 16–2 against the most famous baseball team in Middlesex County at the time on July 4, 1913, the idea of founding a club was born.

The founders dreamt of a place that could support the aspirations of young Hungarians all year round, not only in sports but also in terms of entertainment and culture. On October 23 of the same year, HAAC was founded, with July 4 as its officially recorded date of foundation. The first home of the club was in the house of one of its founding members, Mihály Gödry. When the Roman Catholic parish of St Ladislaus built its school and large dance hall in 1914, they made sure that there was room for the youth, and thus the new club moved in, and the hall became a suitable sports and entertainment venue for its members. Arguably, the most significant event in the club’s history was the building of its own headquarters, thanks to the generosity of the Hungarian community of New Brunswick and its vicinity.

The massive building, inaugurated in 1959, became the centre of Hungarian life in New Brunswick and the central scene of its cultural and social life as well as its national celebrations.

When they had to move again due to the expansion of the neighbouring Robert Wood Johnson Hospital, they were initially offered a remote location, but the club’s management insisted on the ‘Hungarian neighbourhood’, so after lengthy negotiations, an agreement was reached on the future of the club. Thus the new, current building was built in 2006.

The club’s most important task continues to be to get the Hungarian community together; and their aim is to host events for all Hungarian organizations. They are members of the Committee of Churches and Associations; they commemorate national holidays together with other Hungarian organizations; they hold monthly Friday dinners, as well as an annual harvest ball and Christmas party. The Hungarian school holds its end-of-year celebrations and recitation competitions there as well. The club also hosts the Hungarian scouts for their Santa Claus celebrations, and also provides a permanent home for their two folk dance groups, which performed at the 110th anniversary event, too.

During the COVID pandemic, the demographics of the club membership have changed dramatically, with many older members moving out from the neighbourhood, retiring or passing away, while the daily routines of younger families were upended. Although in 2022, the regular programmes, such as the annual Hungarian Festival and other traditional events were restarted, and the dance groups continued their weekly practices and regular performances, the number of volunteers has dropped dramatically, and the club has been struggling to find its feet ever since.

Now, Mózes Kovács and Mária Stumpf, both former presidents of the club, are working together to keep the organization running smoothly and to find a suitable successor to lead it.

The survival of the club during the COVID pandemic can largely be attributed to grants from the Bethlen Gábor Fund set up by the Hungarian Government.

The club, and especially the folk dance teachers, are assisted by scholarship recipients of the Kőrösi Csoma Sándor (KCSP) programme, also established by the Hungarian Government. In the framework of this scholarship initiative, the recipients, who normally come from Hungary for a period of nine to ten months, work with the locals to develop Hungarian community life and folk traditions.

The 110th Anniversary

In his welcoming speech, former president (and current trustee) Mózes Kovács referred to the 110th anniversary of the club as a milestone worthy of recognition, which he said is a symbol of Hungarian heritage; and then called the presence of István Pásztor, the Consul General of the Hungarian Consulate General in New York, a symbol of national solidarity between Hungarians in the old country and those in the diaspora.

‘As we look back on this long and eventful journey, we commemorate those who were here before us, who led the way for our community, who dedicated their time, energy, and love to keep this Hungarian club alive for future generations. These individuals have left a lasting mark. Today, we pay tribute to them and to all unknown heroes, who made it possible for us to gather here and continue the work they started’, he said. He then added that volunteerism is a key aspect of the club’s history, since it is through the selfless efforts of countless volunteers that the club has flourished. Volunteers put their hearts and time into organizing events, maintaining facilities, and showing future generations the profound importance of volunteering for the Hungarian community.

Kovács also noted that while celebrating 110 years of the past, we must also look into the future.

‘The importance of the young generation should not and cannot be underestimated. Without their energy, innovation and dedication, the legacy of our institution would remain in the past.

They are the ones who carry on the traditions, values, and community spirit that we hold so dear. Without them, there is no future. But it is also very important that the younger generation understands the importance of commitment and volunteering.’

For this to happen, he said, young people need to be educated to recognize the value and importance of giving, volunteering, and community involvement to ensure a future where the community continues to thrive and grow. ‘Today I urge us to encourage and support the younger generation and help them to become committed volunteers. Let us encourage their participation and support their initiatives, ensuring that our club, this beautiful Hungarian house, remains active, meaningful, and true to its original vision.’

He went on to express the board’s gratitude to all club members and to the committee organizing the ceremony, and asked them to continue to honour their ancestors, to protect and cherish the heritage entrusted to them, to keep alive the spirit of volunteerism and to support the younger generation, because ‘they are the guardians of the future, of the next 110 years’.

Denisa Bott-Varga, the Master of Ceremonies of the event, gave a brief history of the well-known local folk dance ensemble Csűrdöngölő, which delighted the hearts and souls of the guests with their dances from Balázstelke. In 1992, under the leadership of Mária Sárközi, the Hungarian Club’s folk dance group was launched, i.e. for the past 30 years the club has been providing local young people with the opportunity to learn Hungarian folklore and folk dance. In 1998, adult members of the group joined forces with the Regös group of the local Hungarian scouts to take part in the Flower Carnival of Debrecen, New Brunswick’s sister city. After the successful performance, they continued to work together as a single folk dance group, practising in the club to this day.

Although the Csűrdöngölő dancers have changed over the years, the current members are also working as instructors of the club’s children folk dance group (Mákvirág) these days, ensuring that Hungarian folk dance and folk music will continue to be available to the New Brunswick community. The Mákvirág children’s folk dance group has been averaging 80–100 children at its weekly practice meetings in recent years. As she said, the Mákvirág dancers make the club’s events more colourful and memorable, all the while promoting the variety of Hungarian culture at international festivals. Their dancers are successful every year at the Pontozó international Hungarian folk dance competitions in North America, both in the group and solo categories, and have won numerous awards from Hungarian folk dance teachers and choreographers, too. During the evening, they performed dances from the Southern Lowlands region of Hungary and closed the show with the traditional birthday toast performance.

Between the two performances of the local folk dance group, Ibolya Nagy, award-winning operetta prima donna and honorary ‘Operetta Ambassador’ took the stage who, as Denisa explained, promotes operetta as a so-called ‘Hungaricum’. She was a leading artist of the internationally renowned InterOperett show and a founding member of Dankó Radio, where she hosted an operetta programme. She has performed in almost every theatre in Hungary, singing some of the most significant prima donna roles in the genre, and has also been invited to perform in operas and musicals. This musical genre is her life, and she proclaims that operetta is nothing but the music of smiles. Gergely Boncsér, who began his career as a member of the Miskolc National Theatre’s chorus, made his debut in 2008 on InterOperett and then became a fellow of the Opera House as a member of its studio, under the direction of Géza Oberfrank. In 2010, he won the Ferenc Lehár Operetta Singing Competition; while in 2016, he was awarded the József Simándy Memorial Plaque. In 2021, he was recognized with the Golden Cross of the Hungarian Order of Merit and he was also named Chamber Singer of the Opera House.

After the performances, Rev. Zsolt Ötvös, pastor of the Hungarian Reformed Church in New Brunswick, and Imre Juhász, priest of the St Ladislaus Roman Catholic Church took the microphone briefly.

Reverend Ötvös stressed the importance of education, preserving the Hungarian heritage and spiritual gifts, and passing them on to future generations. Father Juhász asked for God’s blessings on the food and drinks prepared with loving care and on all those ‘who do good in the name of God’.

As I learned from Zsuzsa, the wife of Mózes Kovács, who was also actively involved in organizing this event, Ibolya Nagy is their old best friend; she also performed at the 100th anniversary celebrations of the club ten years ago. Although I’m not familiar with the operetta genre, I enjoyed the performance, especially the beautifully rendered, famous air ‘Hazám, hazám’ from Ferenc Erkels’ opera Bánk bán. I also learned from Zsuzsa Kovács that the delicious dinner was provided by the catering company of club member Zoltán Papp.

The concept and design of the ballroom and stage decorations were credited to Mária Stumpf, the club’s first woman president and current trustee. The elegant decorations, full of twinkling lights, provided an appropriate setting for the commemoration and celebration.

On the stage, 13 candles were lit in memory of the club’s founding members and all those who are no longer with us, expressing the eternal gratitude of the current community to their predecessors.

Next to the candles, a photo of the current leadership was also displayed. Further, a laurel leaf wreath, half of which was decorated with red-white-green flowers, while the other half with red-white-blue flowers and matching flags, symbolized the homeland they had to leave and the new homeland in the host country they ‘built 110 years ago’ where they ‘enjoyed and cherished their Hungarian traditions’.

Next to the wreath, there was a candle, ‘still burning today, which we gladly pass on to the next generation with a hand extended to them, so that they feel and know the important role the club plays as a Hungarian institution and feel and embrace the importance of its survival’. And finally, a photo of more than a hundred dancing children was also on display, representing faith in the future generation and the hope that the next generation will take over and keep the Hungarian Club alive, with the caption: ‘Tribute to the past, honour the present, hope for the future. The force that connects generations is our Hungarian identity. God bless the Hungarians; God bless the 110-year-old HAAC and keep it for at least 110 more years!’

Ildikó Antal-Ferencz

Source: hungarianconservative.com

Reklám

Source: hungarianconservative.com

This is the English version of the interview originally published on Magyar Nemzet.

The Hungarian folk dance movement started in North America in the 1970s. Kálmán Magyar Jr, a successful lawyer in Canada and America, still considers the folk music education his parents provided, as well as performing and entertaining Hungarians living abroad, extremely important.

***

You work as a lawyer but have never stopped making music. Where does this vocation come from?

My parents weren’t musicians, but my sister and I were sent to violin lessons with Erika Boyd, who learned the observation, listening, and imitation teaching methodology from Japanese master Suzuki. This is excellent for future folk musicians. Later, at the Manhattan School of Music, we engaged in more complex studies: classical violin and viola, music theory, ear training, composition, choir, jazz, and chamber music, and even played in a symphony orchestra. We studied with the school’s director, Stanley Bednar, who cared little for repertoire and worked more on tone, posture, the use of the bow, and musicality. He asked me to stop playing the Transylvanian contrapuntal accompaniment (balanced accompaniment emphasizing the rhythm, mainly played on the bass violin with a deeper tone) because it made my left wrist very tight. If I played it one night, he immediately noticed it the next morning. Nevertheless, I continued to play folk music, especially in the summer, when I could learn from people like famous Hungarian folk musician Béla Halmos in the camps in Jászberény and elsewhere.

Your parents led the Hungária folk dance group. Later you also joined it and even formed the band Életfa (Life Tree) with your sister. Why was it important for you to practice folk music in so many ways?

My parents formed the Hungária children’s group when we were also children, in which we performed several times. Like many other first-generation immigrant children, I spent my weekends cherishing my Hungarian heritage. I went to folk dancing every Friday night, Hungarian school on Saturday mornings, scouting in the afternoons, and then altar services, community lunches, and cultural commemorations on Sundays. I didn’t have much of a social life in secondary school, I didn’t play sports, so I missed out on many of the things that are part of life for young people in America. I felt comfortable in the Hungarian community, although I was a bit of a black sheep: the aforementioned activities were only secondary to my music studies.

The latter was the foundation of all the good things in my life: my university studies, my marriage, and my vocation. In 1987, we founded the band Életfa, at which time we no longer danced at the Hungária, but my sister and I often played music together and we also found a double bass player. Attila Papp was a member of Hungária, so we started as a house band, but soon we also started to be invited to perform in Toronto and Montreal, and we regularly played in New York at the dance halls of the Hungarian House, too.

Then, during my university years, new members joined Életfa again. My sister graduated from medical school in Hungary, after which her husband joined us for contrapuntal accompaniment and my wife for singing and dancing, so we already had an extended Életfa family. Since then, it has grown into an open band of family and friends, even a movement.

You mentioned that your life had been different from that of your contemporaries. How difficult was it? How did it feel when your parents said no to your quitting music?

We have gone through this dilemma with my family, too. When quitting music, my daughter and I agreed that she had to take up tap dancing instead, which she has been doing ever since, after school, 25 hours a week. My son also had to stop playing music when he started playing professional football. But last year he studied in Hungary for a year, where he began to play the violin again. Thanks to the Óbuda School of Music, his musical knowledge is now much more developed, and he has a different approach to folk music. Sometimes he tells me off when I don’t play authentically, saying ‘I’m faking it’. And he is right. When I was a teenager, I didn’t have access to the original musical materials. My parents could have been more lenient too, but with them, music was the only thing on the table. It is still very difficult to say no to Kálmán Magyar Sr today. He believes that you can’t stop doing things, but you have to stand behind them even harder. That is why he was able to achieve so much in the field of folklore.

Today you play in Canada with the band Gyanta (Resin). Have you ever been in danger of burnout?

The band Gyanta was formed by musicians from Toronto, Montreal, and Ottawa, and now I’m the one leading it. We play mainly at dance events, sometimes festivals and balls, with the addition of stage performances. I’ll be 50 in November, and I really feel now that making music, with all the travelling and little sleep, is more for the young. This year I’m taking my son to see Gyanta perform, so he can witness what we do. And I would like to take on less and less, especially since we are moving to Florida in a few years. I’ll come back for a gig or two from there as well, but I will not be able to take all the East Coast travel anymore. I see the future in young folk musicians, and I like to inspire others, but it’s something that is hard to pass on. A wise dancer, Norbert Kovács, said to me a few weeks ago that people in Hungary should learn from those in the diaspora to cultivate their culture with a pure heart and love. What is needed is not a competitive, one-upmanship, critical attitude, which is unfortunately the case within the movement, especially in Hungary. My son is right when he tells me that I don’t play accurately, but what is most important to me is that everyone has fun. This is the attitude that should be taught.

How ‘Hungarian’ is the youth community in America today? How much do they go back to Hungary?

When I was born, my parents had only lived in America for ten years. Naturally, their circle of friends was all Hungarian, with only a few American colleagues or neighbours. Those born here, on the other hand, have a more mixed circle of friends, and our children have an even more mixed circle. One could criticize my children, for example, for not going to Hungarian school, scouting, or church. However, our American and Canadian friends might say as well that they are not American or Canadian enough. My daughter Csenge studied at the Bartók Conservatory in Budapest in ninth grade and wants to go back. She is now studying psychology and economics, will finish university next year, and then wants to get a master’s degree in Hungary and continue her folk music studies there. My son Soma was in eleventh grade also in Hungary last year and is now finishing secondary school here. He has not stopped playing folk music and has found his place in Gyanta, too. My younger daughter Bíbor is only in tenth grade, but she will probably not study in Hungary, as she cannot leave the dance studio for a long time.

How do you build the folk dance movement today?

No longer by performing at events, but with special projects. As a first step, during the pandemic, I launched a podcast titled Táncház Talk in English. On Facebook, I saw a Serbian guy from Chicago playing music and talking about events from the eighties. I found it so funny that I started something similar, which later evolved into an interview show. More than fifty broadcasts of Táncház Talk teach about Hungarian folk music and the Hungarian dance house movement in America. My children speak Hungarian, and my grandchildren might, but my great-grandchildren probably won’t, so I want them, too, to be able to use what I’ve collected.

Another initiative I’m working on is an awareness-raising organization promoting tours, camps, and festivals. My parents founded a similar thing in the seventies, but it has died since they moved back. Now we are starting a new organization called the Hungarian Folklife Association, where everything related to Hungarian folk culture in America will be available. There will be a common calendar, for example, to avoid clashes, or a historical catalogue describing the entire Hungarian folk dance movement in the US to date. In America, not only Hungarian dance companies have been created, but also an international dance movement, which is very special and unique. With my legal and musical skills, I hope to pass on the knowledge to future generations as well. However, I have to do it completely differently from my parents, as young people can only be reached through apps now. I want to create something like the Hungarian Heritage House. Part of the project is also the University of Chicago, a hands-on skills meeting place for folk dancers and folk musicians. There will be a course for dance teachers on how to teach the Mezőség turns or for musicians on how to run a dance house.

Is the Hungarian Heritage House also aware of the initiative?

Of course. According to Director General Miklós Both, they cannot help with the creation, but they can cooperate with the finished project. I would like to finish this off if only because when I was wandering around the Budapest building last year, I happened to come across a cassette in the database that said ‘Béla Halmos’ conversation with Kálmán Magyar’ on the back. Incredibly, out of hundreds of thousands of cassettes and tapes, I touched just that one. That is what I call a real confirmation.

Ildikó Antal-Ferencz

Source: hungarianconservative.com

Reklám

The fundraising dinner, held on 28 October 2023, was organized to commemorate the 60th anniversary of the Arany János Hungarian School (‘AJMOI’) in New York and was hosted by the Hungarian Consulate General. Among the 60 guests in attendance, guests of honour included Consul General István Pásztor, Community Diplomat Nikolett Szántovszki and the representative of the Liszt Institute in New York, Noémi Sallai, thanks to whom we enjoyed a beautiful musical programme. Other guests of honour were representatives of institutions that have greatly contributed in recent years to the school’s success, often operating against headwinds. Among them were Imre Lendvai-Lintner, president of the Hungarian Scout Association in Exteris (KMCSSZ), Ákos Rózsa, president of the Széchenyi István Society, Ildikó Nagy, director of the Hungarian House, Mónika Krausz, director of the Tulipán Foundation, as well as Viktor Fischer and Mihály Szarvasy, representing the Hungarian American Memorial Committee.

Founder and first school principal Szabolcs Szekeres revealed that his family emigrated to Argentina after WWII, where some 30–40,000 Hungarians lived in the 50s and 60s, including the cream of the pre WWII Hungarian theatre scene and a strong scout movement. He and his siblings attended a Hungarian school founded by Hungarian nuns who instilled in them a strong sense of Hungarian identity. Nowadays there are only around 3,000 Hungarians left, but a few hundred of them still regularly attend the Zrínyi Club’s events founded by the nuns. These people typically represent the fourth generation of Hungarians since there has been no meaningful Hungarian immigration to Argentina since.

His life in New York started in 1962, at the age of 19, when he enrolled at Columbia University and became involved in the local Hungarian Scout movement, which he knew well from Argentina. ‘I was educated and entertained by the KMCSSZ, and I felt I had to give it back somehow, similarly to several other adult Scouts.’ In New York, Imre Beke suggested establishing an organization similar to the Széchenyi István Free Academy in Brussels. This is how the Széchenyi István Free Academy in New York was launched, where monthly lectures and discussions took place for young adults. When they realized that there were more and more Scouts who knew less and less Hungarian, Imre came up with the idea of founding a Hungarian school that would be independent of the core activities of scouting.

In the spring of ‘63, a teacher training course for teenage Scouts was organized spanning several months, and

in the autumn of that year, the Hungarian school was launched with about 25 children.

Szabolcs Szekeres was the first school principal. ‘At that time, we didn’t think about what would happen 60 years later, we just did it, but I’m very glad the school still exists. I lived in New York City for eight years in the 60s while I was in college, during which time I spent every Saturday in the Hungarian school and with the Scouts. Next year, many of our teachers graduated from high school and moved to universities in other cities, but we did not have the opportunity to offer a months-long training programme once again, so we organized a week-long summer camp. It was both a children’s camp and a teacher training camp: in the mornings the teachers listened to lectures, in the afternoons they worked with the children, i.e. they could turn into practice immediately what they learned during the day. It was a niche and pioneering phenomenon; and KMCSSZ has been organizing such summer school camps ever since.’

Scouts were required to attend Hungarian school, but those who attended school were not required to be scouts. ‘It worked pretty well, even though everyone was a volunteer, and we did not even have textbooks. For example, I recently found my handwritten textbook, where I drew a human body and added the Hungarian names of the body parts to the drawing. Today, education is quite different, with professional teachers and textbooks, which has both advantages and disadvantages. For many years we were housed in St Stephen’s Church, but for a very long time we operated amongst quite harsh conditions, especially after its closure in 2015. However, during the last few years the situation has improved significantly due to financial assistance from the Tulipán Foundation, among other donors.’

Endre Mészáros, the president of the Hungarian Parent–Teacher Association of New York (‘HPTA’), the parent organization of AJMOI, briefly summarized the history of the school. The 95-year-old St Stephen’s Church was situated in the middle of Yorkville, New York’s traditionally ’Hungarian quarter’, where ethnic Hungarians mostly resided until the ‘80s.

The waves of immigration following WWII and the 1956 revolution helped maintain a Hungarian presence in the neighbourhood. Hungarian Scouting took off in 1951, which required a solid command of the Hungarian language as well as Hungarian cultural and historical knowledge. The Hungarian school was founded to prepare children for the Scouts programme. The founders were Scouts and at first even the teachers were Scouts. In subsequent decades parents would typically be part of the teaching staff, but more recently all faculty members are qualified teachers with only one or two school parents among them. As a new development,

there are currently two AJMOI alumni high school students participating as kindergarten teachers’ assistants

with the hope that over time there will be more alumni returning to the school as teachers, providing the backbone of the faculty in the future.

The president highlighted that the school used to have more than one hundred students.

However, over time Hungarians moved out from the Hungarian neighbourhood, the church slipped out of the hands of the Hungarian community, and in 2015 AJMOI needed to abandon the building where it had been located for decades. In the meantime, fewer and fewer children attended the school and even fewer of them participated in the Scouts programme. Fortunately, the Hungarian House and its parent organizations as well as the Hungarian school continued operating in the neighbourhood as flagships of the remaining small Hungarian community. Since 2015 these institutions have helped AJMOI by providing space for their classes at the Hungarian House and the Hungarian Baptist Church on 80th Street. Since 2021, the Tulipán Foundation, the newest member of the Hungarian institutions in Yorkville, houses the school. In the last school year, for the first time in seven years, all classes were able to unite in one location. This is not only practical but also extremely beneficial for building and strengthening community ties. This school year, they had to move again as Tulipán’s building is being renovated, however, the foundation continues to support AJMOI covering 80 per cent of the rental cost of an appropriate school building in the neighbourhood.

Another source of financial support in recent years has been the grant system run by the Hungarian Government through the Bethlen Gábor Foundation,

which enabled the school to have a stable operation over the years and organize many social and community-building programmes. Grants are used to cover the vast part of the remaining 20 per cent of this year’s rent, which is still a significant amount, as well as fund the cost of some of the events organized around the 60th anniversary.

The president explained that the gentrification of Yorkville has had important side effects on the Hungarian community and on the school itself. Currently, families live in various parts of the city, few of them commuting from as far as Connecticut and New Jersey. This often means a one-and-a-half-hour travel by car, subway or train, which is a big effort and dedication to attend the programme every Saturday. Other aspects of life have also changed in recent decades. For example, there is much greater mobility within society in every sense resulting in more marriages with mixed cultures. Two-thirds of the students live in mixed families, half of these hear three languages at home. Teaching Hungarian language and culture is becoming increasingly complicated because of these largely mixed cultural and linguistic backgrounds: ‘It is a challenge for the faculty to group children into classes and to convey the beauties of the Hungarian language to children with such complex language and cultural backgrounds.’

Also, only three out of a hundred parents are second-generation Hungarian Americans. ‘New York is like an immigration hub; this is why it is important to keep our institutions such as the Hungarian school active as they play an important role in the future for new immigrants arriving from the Carpathian Basin.’ Another noticeable change is the composition of pupils. In comparison to past decades, today almost half of the children are of kindergarten age, which is why the word kindergarten has been included in the official name of the institution. In recent years, the leadership

integrated a ’Moms and Tots’ programme

ű in the school called Bóbita for children up to the age of three.

This is one of the most sought-after age groups and is primarily the place where later kindergarteners and active, dedicated parents start their association with the school, continued the president of HPTA. ‘We are proud that despite the Covid pandemic, inflation and social challenges, our school is growing. Today, we have approx. 70 students from 50 families, somewhat more than in 2019. The number of Scouts is also increasing among the students thanks to our collaboration with the KMCSSZ. We have counted 19 Scouts recently, which is roughly two-thirds of our Scout-age student groups!’ AJMOI is thus not only an educational institution for students to learn the Hungarian language, culture and traditions, but also aims to play an integral part in facilitating the integration of young families into the Hungarian community of New York.

In his closing remarks, Endre Mészáros explained one of the new initiatives of AJMOI. ‘Students usually attend our school until the age of 12–13. At that time, it is hard to know whether they continue practising their Hungarian and take advantage of the opportunities that knowing and understanding another culture brings. Therefore, like other Hungarian schools in the diaspora, we plan to launch a language programme geared towards high school students of Hungarian origin.’ This will involve preparing students aged 14–18 for the ECL Hungarian Language Exam which can provide additional credits when applying to colleges. It should also increase the families’ engagement with the community ensuring its continuity. Funds collected at the fundraiser will be principally used for this initiative.

Zsuzsanna Szalai, who has been a member of the Board of the HPTA for five years and Director of Education for three years, provided an even closer insight. There are seven classes besides the Bóbita group, the average number of students is nine to ten in each class. School hours are from 9:30 am until 12:30 pm on Saturdays. Each class has one teacher, the Pre-K and Kindergarten groups also have assistant teachers. They are all trained professional educators, but do not necessarily teach in line with their original qualifications. ‘We have an amazing kindergarten teacher who originally trained as a middle school mathematics–physics teacher and taught for thirty years in Hungary, but there are also geography teachers, economists and biologists.’

The school places the emphasis on teaching children to be able to speak, read and, to some extent, write in Hungarian, as well as teaching about Hungarian culture, history, and geography. ‘It depends on the age group, but the two oldest classes already know a lot about the lake Balaton region, the Matthias Church in Budapest, or the founding of our country. Many of our students visit Hungary regularly.’ Thus, the goal of the school is to further develop the students’ Hungarian knowledge, which should be established and practised at home, with their parents’ assistance. However, the level of home practice also varies greatly.

A weekend school cannot teach a language if it is not encouraged and practised during the weekdays,

therefore parents also have their roles and responsibilities to cooperate with the school in the interests of the students, the director highlighted.

Nowadays there are many more mixed families in the school than before. At the same time, there are many young Hungarian families who came to the US to work different types of jobs and their children usually speak Hungarian very well. So, the school community is very diverse in many ways, to which education needs to adapt. For example, students are not only allocated by age group, but also based on their understanding and knowledge of Hungarian language, thus there may be an age difference of two to three years between students within one class. ‘The result is an interesting mix, because older students catch up more easily, they are at a higher level in many ways, but it doesn’t mean that their knowledge of Hungarian language is also better. This is a great challenge that cannot really be solved, but we are trying to bridge these gaps as much as possible and make it a great learning experience as well as fun for all.’

The aim of the school today therefore—besides teaching Hungarian language and culture—is that students enjoy the learning process.

‘If you think about it, it’s unlikely that most of them will ever move (back) to Hungary or to the Carpathian Basin; most of them are going to spend their lives in the US (or elsewhere). The Saturday mornings in the Hungarian school will be a distant childhood memory for most of them, so it is important that when they recall those memories, they remember how much they enjoyed those mornings, how well they played, danced, and overall had a joyful and positive experience. Only then is there a chance that they will try to connect to a Hungarian community around them later in their life and pass down their enthusiasm and knowledge of Hungarian language and culture to the next generations. That is the most we can give them.’

Source: hungarianconservative.com

Reklám

When the Liszt Institute in New York recently offered the possibility to distribute the Hungarian film Blokád (Blockade) to Hungarian communities in North America for free of charge screening events, our family volunteered to organize a screening in the Scout House in Garfield, New Jersey. The film made the audience recall old memories and put the spotlight on lesser-known details about the arguably biggest crisis of the then-nascent democracy of Hungary, the taxi drivers’ blockade of October 1990.

The screening experience was boosted by a video message from Zoltán Seress, the actor who plays prime minister József Antall, the main character in the film.

As previously reviewed in detail by Hungarian Conservative, Blokád was very successful and became the most watched Hungarian drama of 2022, remaining among the ten most popular films for five weeks after its opening in cinemas. In March 2023, it was added to Netflix’s lineup and soon became the most watched Hungarian film on the streaming platform. At the annual Hungarian Film Festival in June 2023 (jointly organized by the National Film Institute and Veszprém–Balaton 2023–European Capital of Culture program office), it gained awards in seven categories: best feature film (directed by Ádám Tősér), best actor (Zoltán Seress), best supporting actress (Ildikó Tóth), best cinematographer (András Nagy), best screenwriter (Norbert Köbli), best editor (Lili Makk) and best makeup (Réka Görgényi). Very recently, in late October 2023, at the Los Angeles Hungarian Film Festival – where the movie Semmelweis, also produced by Tamás Lajos had its debut after New York – Blokád gained the award for best screenwriter. Notably, over the past decade, Norbert Köbli has become the most well-known and sought-after Hungarian contemporary screenwriter producing several award-winning drama scripts covering difficult episodes of the 20th century Hungarian history, including multiple stories revolving around various aspects of the 1956 revolution and freedom fight, the inhumane Soviet rule and more.

Since we moved to the US in the summer of 2022, our family did not have a chance to see Blokád in Hungarian cinemas and were enthusiastic about watching it together with a couple of our overseas friends and acquaintances. For many of them, it was probably only an interesting, but distant episode in history, because most of them simply did not live in Hungary in October 1990 and not even in those decades preceding and following the 1989–1990 regime change. They either left the country well before (in 1956 or even earlier) or were second-generation Hungarians who only occasionally visited the motherland.

The screening experience was boosted by a short video message from Zoltán Seress, the actor who plays prime minister József Antall, the main character. He sent warm greetings and highlighted the difficulty of providing a summary of essentials to such an exceptional story of those four tumultuous days with multiple layers in politics and the personal lives of the depicted characters. Opening up to the overseas viewers, he explained how much prime minister József Antall’s character affected him, both in his acting capacity as well as in his civilian life. ‘It was a gift for me to personify the former prime minister in this movie and I think it became much more than a role for me. There were several events in my life during the past 30 years that I could reassess and rethink, based on getting to know him this close due to the role I played. He was such a role model of a statesman, which affected me deeply, and helped me overcome some of the difficult days while shooting this movie.’ As he highlighted, the film is a portrayal of an exceptional statesman ‘who tried to save the functioning of the blossoming Hungarian democracy. He was not thinking along actual political logic, and while life forced him several times to make political compromises, he always saw Hungary in a historical perspective, and he regarded his thoughts and actions as a duty and not as a sacrifice. His attitude helped us, Hungarians, to survive those incredibly painful years so that we still exist nowadays, have faith in ourselves and have credit with others.’ The viewers were so deeply moved by the actor’s message that they requested to watch it again right after the screening and claimed that it elevated the event to be much more than a simple screening.

But what happened between the message being rolled twice? Engaging history on the big screen. Four days of October 1990 in Budapest, when the Kremlin—without any warning or explanation—simply stopped sending oil to multiple Central European countries (probably as a show of force amidst the gradual loosening of the political and economic grip of its influence over the region). In addition, Iraq’s invasion of Kuwait a few weeks before had already made fuel prices soar globally. Antall’s government had no choice but announce massive price hikes which was met by wholesale rejection from taxi drivers who, within a matter of hours, paralyzed the country by blocking major intersections, bridges, and railroad crossings. Coincidentally, prime minister Antall was hospitalized going through an operation in anaesthesia during the first few critical hours of the blockade. Ultimately, after multiple twists and turns, he accomplished something that is hard to imagine in ‘regular’ politics: working from his hospital bed against multiple headwinds (including a hostile media, a sinister opposition party, a state president who seemed to be a puppet of the largest opposition party and his childish ambitions as well as the lack of leadership in his own government and ruling party), he reached a win-win agreement in consultation with all stakeholders.

For one and a half hours, we all became completely absorbed in those four days of Hungarian history with its political struggles as well as the personal life (including flashbacks to his youth in and around 1956) of this towering statesman. We were given an impressive and authentic illustration of and background to

those symbolic series of events which meant the first and arguably the biggest test of the strength of the young Hungarian democracy

shortly after the regime change from a Communist dictatorship. We also understood how high the stakes were for the prime minister in the middle of this turmoil: defending democracy proved to be an unutterably difficult task while struggling with his deadly illness (the lymphatic cancer which ultimately took his life three short years after the blockade).

A short discussion took place with the attendees after the screening. For those American Hungarian viewers who or whose parents escaped from Hungary after the 1956 revolution and freedom fight and waited well more than three decades for the end of communism and Soviet rule, it was a nostalgic experience to see Antall in 1956 as a young freedom fighter in some epic scenes of the revolution (e.g. at the Hungarian Radio building). In addition, to some it was also an eye-opener seeing the enormous dilemmas and difficult decision-making situations broken down on the silver screen that were torturing the Hungarian society in 1990, re-shuffling political realities and turning everyday life upside down. Some shared their own memories of those times (both from 1956 and from 1990), others mentioned that several details of the 1990 events were unknown to them, and now they have a much deeper understanding of the multiple layers of those pressing issues related to the regime change. Others highlighted the nostalgia they felt seeing old Budapest scenes as well as hearing Hungarian pop/rock music from more than 30 years ago played in the background.

We all agreed that even if similar tensions erupted elsewhere in the former Eastern bloc at the time, this film is very ‘local’, very Hungarian, and therefore might not be as appealing for the rest of the world to be nominated for or eventually winning an Oscar award. Nevertheless,

it is so far probably the most professional and authentic cinematographic account of key events of the Hungarian regime change

and thus it has earned a place in the hall of great Hungarian movies.

We also shared the opinion that although the camera shows the scenes mainly through the eyes of the prime minister, it was a good decision from the screenwriter to draw the two characters objectively, based on available historical documents and not to try to answer the dilemma: who contributed the most to the regime change, a topic that is still debated in Hungary. We valued that the movie simply tried to bring back the experience of the crisis and raised questions (to be answered by the viewers) instead of providing ready-made answers; for example: whether the blockade was indeed spontaneous or politically driven and manufactured; what was the president’s role and responsibility in the escalation of the tensions; was military force planned to be deployed as the state president stated; and the list of dilemmas goes on.

After watching Blockade, we all agreed we would wish to see more political dialogue similar to some of the key conversations in the film: political opponents, the prime minister and the state president who used to be friends decades before, talking to each other in a polite and fair manner.

Ildikó Antal-Ferencz

Source: hungarianconservative.com

Reklám